He feared that the opportunity of achieving genuine selfhood was diminished by the social production of stereotypes. The latter included viewing women in terms of their traditional social roles, particularly as mothers and wives, but also in their traditional spiritual roles as epitomes of devotion and self-sacrifice.
That is, the aesthete uses artifice, arbitrariness, irony, and wilful imagination to recreate the world in his own image. Kierkegaard, however, recognizes duties that cannot be justified in terms of social norms.
Given this problematic in this social context Kierkegaard perceived a need to invent a form of communication which would not produce stereotyped identities. These are particularly intimate addresses to the sincere Christian, who strives to deepen the subjective passion of faith through confession and through acceptance of divine forgiveness.
Much of the thrust of his critique of Hegelianism is that its system of thought is abstracted from the everyday lives of its proponents. It is a despairing means of avoiding commitment and responsibility. However, he cannot give an intelligible ethical justification of his act to the community in terms of social norms, but must simply obey the divine command.
This belief is offensive to reason, since it only exists in the face of the absurd the paradox of the eternal, immortal, infinite God being incarnated in time as a finite mortal.
Martensen also had a profound effect on Kierkegaard, but largely in a negative manner. Grundtvig, a theologian, educator and poet who composed most of the pieces in the Danish hymn book.
That is, Abraham recognizes a duty to something higher than both his social duty not to kill an innocent person and his personal commitment to his beloved son, viz. We need to cultivate hope, patience, devotion, and above all love.
We are not an exclusive agent for any developer. That is, Abraham recognizes a duty to something higher than both his social duty not to kill an innocent person and his personal commitment to his beloved son, viz. In order to obey we first need to cultivate faith, since obedience to a divine command is nonsense unless we at least believe the command has come from God.
The choice of normative ethics is motivated, but in a noncognitive way. These works include those by Anti-Climacus, who represents the Christian point of view par excellence, beyond where Kierkegaard placed himself.
Such representations were only possible in an aesthetic medium of imagined possibilities like poetry. Even human sacrifice is justified in terms of how it serves the community, so that when Agamemnon sacrifices his daughter Iphigenia he is regarded as a tragic hero since his community understands that the sacrifice is required by the gods for the success of the Greek expedition to Troy Fear and Trembling.
Instead he took himself seriously to have reached the truth, and so rendered himself comical. Martensen also had a profound effect on Kierkegaard, but largely in a negative manner. But the choice of faith is not made once and for all.
Therefore it is possible, as Johannes de Silentio argues was the case for Abraham the father of faiththat God demand a suspension of the ethical in the sense of the socially prescribed norms.
As far as the aesthetic stage of existence is concerned what is preserved in the higher religious stage is the sense of infinite possibility made available through the imagination. This has produced quite a debate about the relevance of Kierkegaard for developing narrative accounts of the self, with notable contributions by Anthony Rudd, John Davenport, John Lippitt and Patrick Stokes.
Kierkegaard succeeded in having himself mercilessly lampooned in this publication, largely on personal grounds rather than in terms of the substance of his writings.
He used pseudonyms in many of his works both overtly aesthetic ones and overtly religious ones. We can refuse altogether. Søren Aabye Kierkegaard (b.d. ) was a profound and prolific writer in the Danish “golden age” of intellectual and artistic activity. Søren Aabye Kierkegaard (b.d. ) was a profound and prolific writer in the Danish “golden age” of intellectual and artistic activity.
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